Home Hollywood ‘Mickey 17’ Will Be Tricky At Global Box Office With $45M Debut

‘Mickey 17’ Will Be Tricky At Global Box Office With $45M Debut

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This weekend marks the release of Warner Bros.’ costly auteur sci-fi film Mickey 17, directed by Oscar winner Bong Joon Ho and expected to gross approximately $45 million worldwide.

Before P&A, the Robert Pattinson film had a net production cost of $118 million after UK tax credits. For Mickey 17 to break even, which is estimated to cost between $240M and $300M, turnstiles must be operating at full capacity.

Positively, Mickey 17’s U.S. tracking has improved since the teens, raising the prospect of a domestic opening of at least $20 million. Since original sci-fi is usually a chilly genre targeted at older men, it can be difficult to grow an audience. Making Pattinson’s space cog worker, a “expendable” who sacrifices himself just to be “reprinted” or resurrected again, relevant to the average moviegoer has been the main goal of the campaign. Denis Villeneuve’s 2016 Oscar winner Arrival, which debuted at $24 million, remains the benchmark for sci-fi films. Mickey 17, at 85% certified fresh, was similarly praised by critics.
The production cost of Mickey 17 is higher than that of Bong’s other films, including his Netflix original picture Okja ($50M), his Cannes Palme d’Or and multi-Oscar-winning Parasite ($11M), which, after all ancillaries, made over $46M.The concept, which is based on the Edward Ashton novel Mickey 7 and was adapted by Bong, was approved by the Toby Emmerich Warner Bros. administration in January 2022. When the new studio leadership of Michael De Luca and Pamela Abdy took over in June 2022, they guided and supported the production. The director’s choice of the film’s appropriate conclusion—arguably the best section of the two-hour, seventeen-minute feature—was the reason for its excessive expense. Warners has been involved since Christopher Nolan left for Universal.

Previews for the R-rated film, which also features Mark Ruffalo, Toni Collete, Steven Yeun, and Naomi Ackie, start at 3 p.m. and are scheduled to open in 3,770 theaters across the United States. 3,200 sites on Thursday.The entire selection of premium tickets in motion seats, Imax, Dolby Cinema, and PLFs will be available at Mickey 17.

Mickey 17 had its $9 million premiere in Korea last weekend, setting the groundwork for its worldwide release on an unconventional Friday. It was Pattinson’s biggest Korea debut ever, and the start was the best for a Warner Bros. film since 2019.
With an estimated $25 million for a worldwide launch, this frame adds 66 overseas markets, including majors like France, Germany, Italy, Spain, the UK, China, Australia, and all of Latin America. There are 28,500 screens worldwide.
The majority of UK critics agree with the early social and critics’ assessments in France, which are good and comparable to those of Alien: Romulus and Tenet, for instance. It could be interesting to observe China. Even while the local blockbuster is starting to level off, Ne Zha 2 (at about $1.97 billion) still has a significant lead and will continue to do so. The favorable reception to Mickey 17’s Sunday premiere showing in Beijing and seven other cities was covered by state media on Monday. Filmgoers “praised the film’s amusing, sincere and topical allegory, along with the cast’s performances.” The marketing strategy, according to China.org, “playfully appeals to Chinese audiences, especially younger viewers, by framing the film as a tale of workers managing demanding bosses.”
Over the past few months, the Mickey 17 crew has been on the road, attending events such as Pattinson and Bong’s January visit in Seoul, the London premiere in early February, the Berlin Film Festival gala showing, and a Paris premiere. A recent event in Korea featured Bong, Ackie, Ruffalo, and Yeun.
We will observe Mickey 17’s behavior. An auteur film usually experiences a surge in attendance during its first weekend, i.e. Martin Scorsese, Nolan, and Quentin Tarantino. Nobody anticipated Focus Features’ Nosferatu, directed by Robert Eggers, to become the distributor’s second-highest-earning film ever in the United States, grossing $95.6 million and $21.6 million over three days. Due in part to audiences discovering Eggers’ The Northman in its home window, the director saw Nosferatu become his highest-grossing film to date.
This weekend, Bill Guttentag’s Rule Breakers, starring Phoebe Waller-Bridge from Fleabag, will also be released widely in the United States and Canada via Angels Studios. The picture’s synopsis: A visionary woman inspires resistance and hope in a country where educating females is seen as rebellion. Their bravery sparks a movement that has the potential to permanently change their country.
With a fresh Rotten Tomatoes reviewer score of 77%, Rule Breakers, which is now showing in 2,044 theaters, is predicted to place in the low single digits.
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