Actor-comedian Krushna Abhishek unexpectedly tagged actor-uncle Govinda for the first time during their seven-year-old family feud. He acknowledged that tagging him in her social media posts and other actions was his attempt to mend their tense relationship.
Their public controversies have caused a stir in the media over the years, from Abhishek accusing Govinda of not visiting his children in the hospital to Govinda calling his nephew a liar. On social media, 40-year-old Abhishek posted a dance clip. He claims that watching the dance video moved him to tears and reminded him of all the things his “mamu” has taught him.
Whether or not he replies, I wanted to tag him. May God halt the argument. Time is running out, and I want this to be resolved immediately. I adore him. No one in my family respects him as much as I do, says Abhishek, who made his debut on television in the same program as Govinda. The purpose of life is this.
“Where there is love, there is a fight,” he continues. It’s time for this to end; enough is enough. I adore my mami, Sunita Ahuja, who is Govinda’s wife. He has been very helpful to me. To me, she resembles a mother. When a mother discovers something unfavorable about her child, she becomes so enraged that the person assumes I do not want to meet the child at all. Therefore, I suppose that would be the cause of the anger.
When asked if he had recently met Govinda, Abhishek responded, “We haven’t because we are busy. But I’m confident that if we meet face to face, the issue will be resolved right away. I last saw him four or five years ago in Dubai. It belonged in a movie. I called her name when I saw her at the mall. She was ecstatic when she saw me and exclaimed, “Hey, this is my son. What is he doing here?” We came together in a very loving way. We both vanish.
Abhishek remembers how he used to go with him to movie sets when he was younger, starting with the movie The Killing (1988). “I was the kid on the poster of the movie The Killing. I went with him on the sets. The kid who was going to be shot was a star of the South’s film industry and wasn’t available on those dates,” he recalled. That was my first encounter on the sets when I was between the ages of seven and eight. There I started my journey.”
Then, as Hasina will attest, I used to attend more performances of Joru’s Slave (2000) and Hero No. 1 (1997) (1999). Pardesi Babu (1998) was shot in front of me, as was shoot with eyes (2002). He is the most talented artist I’ve ever seen. Govinda has always been my hero. I used to be made to stand in the back by Ganesh (choreographer Ganesh Acharya), and that was the beginning of my career as a dancer. The biggest compliment I could receive would be if, while dancing, I resembled him. I don’t imitate it. Because it runs in my blood, it comes naturally. And they have all impacted and molded my career,” he adds.